Saturday 1 October 2011

Out Of The Shadows


The Exorcist: Out of the Shadows

[Paperback]

Bob McCabe (Author)

Publisher: Omnibus Press: Re-issue edition (1999)

Bob McCabe is a movie buff who has written books about the work of Seán Connery and Terry Gilliam. He has also produced a rough guide to the comedy film genre. The Exorcist: Out of the Shadows, however, concerns itself with something much darker: the three films made about demonic possession in The Exorcist trilogy, but principally the first and by far the best of the three movies.

The 1973 horror film The Exorcist is probably one of the most effective ever made about demonic possession. Movie patrons and critics alike praise the film which is still considered to be one of the scariest ever made. The film is based on a William Peter Blatty novel, but the novel found its inspirations from a source based in reality, the exorcism of Robbie Mannheim.

Released around the time of The Exorcist's cinema re-release in the UK in 1998, preceding its long-awaited release on home video formats, it's an excellent overview of the making and release of this classic about the possession of a young girl. McCabe also includes small sections on the sequels, including Exorcist II: The Heretic, which is definitely very bizarre, and, of course, The Exorcist III.

Bob McCabe's The Exorcist: Out of the Shadows is an entertaining book about an interesting set of films.

In The Shadow Of The Vampire


In the Shadow of the Vampire:
Reflections from the World of Anne Rice

[Paperback]

Bob McCabe (Author)

Publisher: Thunder Mouth Press: Re-issue edition (1997)
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Award-winning documentary photographer Jana Marcus has always been drawn to the fringe. One of her earlier collections was entitled Midnight in Manhattan: A Decade of Subcultures and the Alternative Scene. Staying with that theme,  In the Shadow of the Vampire assembles portraits of and interviews with the devotees and acolytes of Anne Rice. And who are these people? Office administrators, translators, shop owners, students, and the more flamboyant (blood drinking vampiroids, assorted perverts, role-players etc).
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"Her books allow people to think about their place in society and identify their feelings through her characters' exploration of unconventional lifestyles," she opines. "It is extraordinary how many people I've spoken to who had never read a book before they read an Anne Rice novel." It might come as a culture shock to think of Anne Rice as an inadvertent champion of literacy! As may be expected, the reflections are a mixture of the banal and the more provocative. The phenomenon of Anne Rice's celebrity is, after all, phenomenal. The enormity of her appeal has given birth to the annual Gathering of The Coven Ball in New Orleans, cinema films, an Anne Rice tour company, a perfume line, a Lestat wine, and T-shirts emblasoned with an MRI of Rice's brain. If all that leaves the reader colder than sleeping alone in a coffin, then Goth-types and vampiroids might want to pick up a copy for tips on wardrobe and make-up.  
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Its easy to have preconceptions about this book, obsessed individuals and excessive make up immediately spring to mind. But this book is not like that. In fact this book is very touching. The people who have contributed in interviews and photographic portraits within this book represent a fair cross section of society. Their stories are told with feeling and honesty. Most write in some way about the way Anne Rice's books have reflected or have helped in some way with their lives. Many feel parallels with the loneliness or isolation of her vampire characters, but the message is not depressing for many more seem to have found a sense of belonging or uplift from the Anne Rice books. This book presents a range of characters to the reader with glimpses into each of their lives and finishes with a pictorial overview of the Memnoch Ball, New Orleans, annually held by Anne Rice.
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This book also gives a partial glance into the world of Anne Rice fans. However, it may affirm or disprove the notion that her fans are all weirdos. The book features college students, accountants, writers, exotic dancers, make-up artists etc. While it features intriguing people from all walks of life, it is probably not an entirely accurate view of her fans. The book perpetuates a certain fan stereotype, as though reading Anne Rice makes you estranged from the rest of society.  
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It has been noted by others that Anne Rice is mainstream. Admitting you are a fan is not a taboo like declaring you are a dominatrix. There are fans who never made it to the infamous Balls when they were still in progress; there are fans who have no interest in exploring New Orleans outside of the books; and there are fans who detest Goth subculture, but still devour every single book Anne Rice releases. It would have been a far more representative book had it featured a larger diversity of fans.
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However, the book is still wonderfully constructed. The photographs are nothing short of superb, the fan accounts fascinating to read, and one really does walk away feeling that maybe those stereotypes are wrong.
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"Photojournalist Marcus compiles the thoughts and moody, moony photos of a hundred attendees at Rice's annual Gathering of the Coven Ball. For every partygoer who enthuses about blood-drinking rituals, ten more thoughtfully grapple with Rice's work, persona, and commercialism (they're not thrilled with her Lestat-themed restaurant). This passionate subculture comes, if not quite alive, then certainly undead on the page." Entertainment Weekly
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