Friday, 30 September 2011

Klinger's Annotated Dracula

The New Annotated Dracula 


Bram Stoker Klinger 

Publisher: W W Norton & Co (2008)

Travelling through two hundred years of popular culture and myth as well as graveyards and the wilds of Transylvania, Leslie S Klinger illuminates aspects of Bram Stoker's gothic novel, including an examination of the original typescript with its shockingly different ending. He investigates the many subtexts - from the masochistic, necrophilic, homoerotic and dentophilic implications of the story to its political, economic, feminist, psychological and historical threads. Employing his literary detective skills, Klinger mines this 1897 masterpiece for nuggets that will surprise even the most die-hard Dracula student and enthusiast.

The New Annotated Dracula is a feature-packed presentation of Bram Stoker's original 1897 novel, presented in its unabridged version, together with 1500 notes, maps, illustrations, points of history and trivia, excerpts from Stoker's edited additional material. In brief, everything the Dracula acionado could want in a volume, including additional chapters on Stoker's life, information on TV and Film versions of the story etc.

The editor has applied his brand of detective work to the Victorian novel about vampires that has no equal, and his edition is an extension of Stoker's attempt to give a work of fiction authenticity by telling it in the form of letters, diaries and such like. Examining their often faulty chronology has given commentators much entertainment. The notes are quite informative. For example, the hair-raising arrival of the Russian ship Demeter in Whitby harbour with the dead Captain lashed to the wheel was based on a real-life (but less unpleasant) incident from 1885. Bram Stoker, who made little money from his vampire novel, would have been surprised, but surely pleased, if he could have known what an impact it has had on our culture.

The illustrations, though interesting in themselves, however, are very poorly reproduced. This is a hefty tome, and the notes are informative for any scholar of Victorian literature. Less impressive are the essays on vampire films and subsequent literature which are little more than Klinger's personal taste and biased opinion. 
The editor's conceit of taking the text as a factual narrative is at first amusing, but for some will be found ultimately unsatisifying. Leonard Wolf's 1975 edition is vastly superior in this regard, and somehow has an impact and atmospheric effect which Klinger's more recent effort does not achieve.
Bram Stoker deserves to be taken more seriously as a writer in the Anglo-Irish tradition and a more precise approach to this great cultural influence is deserved. Klinger's edition will still appeal to many collectors.

Thursday, 29 September 2011

Wolf's Annotated Dracula

The Annotated Dracula 


Bram Stoker Leonard Wolf 

Publisher: Crown (1975)

Leonard Wolf has been described as the world's most revered Dracula scholar. A native of Transylvania who left "the land beyond the forest" as a child, Wolf has taught and written about Bram Stoker's gothic masterpiece for decades. In 1975, he published The Annotated Dracula, which remains to this day the most elaborately annotated edition of the novel and has been the version found in  Bishop Seán Manchester's extensive private library since its publication.

The Annotated Dracula is a large book whose many illustrations and interesting notes are a pleasure to peruse. The text of Bram Stoker's Dracula is taken from the second printing of the first edition, with typos in tact. The annotations include over one hundred illustrations, drawings and monochrome photographs. Fifteen full-page drawings by the artist Sätty (Wilfried Podreich) are also featured. These are captivating expressionist interpretations of scenes from Dracula. All the illustrations are black and white.

Sadly, The Annotated Dracula has been out of print for some considerable time. Its latest incarnation is The Essential Dracula, a handsome softcover edition released in 2004. The Essential Dracula retains and, in some cases, augments the footnotes found in The Annotated Dracula, but dispenses with most of its illustrations, all of the Sätty drawings, and the Appendixes. For those who simply want the information contained in the notes, The Essential Dracula will suffice; though the notes border on microscopic and can be difficult to read. The Annotated Dracula, with its maps, charts, and abundant illustrations, is a far more elaborate edition.

Leonard Wolf was born in Vulcan, Transylvania. There are two villages named "Vulcan" in Transylvania. They are known in German as Wolkendorf bei Kronstadt (Vulcan near Braşov) and Wolkendorf bei Schäßburg (Vulcan near Sighişoara). Which, we must ponder, does Wolf hail from? Wolf is best known for his authoritative works on horror genre literature and film. He was the editor of The Essential Frankenstein and The Essential Dracula and technical advisor on the early 1990s films Bram Stoker's Dracula and Mary Shelley's Frankenstein. Wolf is also a much-published writer of poetry, fiction, social history, and biography, and a leading translator of literature. His writing in the horror genre has twice been honoured with the Anne Radcliffe Award for Literature. His most recent book as an editor is The World According to Itzik: Selected Prose and Poetry, a compilation of the works of folk writer Itzik Manger. Leonard Wolf lives in New York City.

A native of Transylvania who left "the land beyond the forest" as a child, Wolf has taught and written about Bram Stoker's immortal novel for decades. 

The Annotated Dracula is a large book whose many illustrations and fascinating notes are a sheer pleasure to peruse. In his introduction, the author takes the reader on a tour of the traditions and circumstances from which Dracula eventually emerged at the hand of Bram Stoker. He discusses Gothic Romance literature, the vampire literature that preceded Dracula, Eastern European vampire folklore, Vlad Tepes (the 15th century Wallachian Prince from whom Count Dracula takes his name), and, finally, the life of the novel's enigmatic author, Bram Stoker. Annotations in the form of margin notes are found on most pages of the novel. Wolf has included explanations for every imaginable allusion in the text, as well as interesting personal comments. The reader receives quite a history lesson just reading the notes. Some of the most intriguing notes include: recipes for the Romanian dishes on which Jonathan Harker dines, population demographics for Transylvania in the late 19th century, translations of old Mr Swales' dialect, explanations of Victorian figures of speech, and the particulars of Victorian typewriters that Mina employs so frequently. Reading straight through the abundant notes might prove a too much for the average reader because reading them while following the novel can prove distracting. They are nevertheless ideal for afcionados, enthusiasts and students concentrating on one chapter or passage at a time and ceratinly add to the enjoyment of the novel when absorbed in moderate doses.

The Appendixes contain maps of Transylvania, Europe, England and Wales, Whitby, London, and the Zoological Gardens in London, with places from the novel marked. A calendar of incidents charts the events of the novel from May to November 1887 (the year Dracula takes place) in coherent form. Students and aficionados may appreciate "Dracula Onstage," a chart of Count Dracula's appearances in the novel, with page numbers. There is a Selected Filmography that includes notable Dracula films, 1922-1974, including films featuring the Count Dracula character, not necessarily based on Stoker's novel. British, American, and foreign-language editions of Dracula from 1897 to 1973 are also listed. There is an Index for the novel that is helpful but not comprehensive. 
The marvelously sinister etchings by Satty (of Ramparts and the Berkeley Barb), this reprints Brain Stoker's deathless (undead?) story with copious annotations and informative illustrations make this an absolutely essential collector's item. Trivia such as what a yew branch looks like, or a trephining apparatus, or to know the Orient Express connections to Bulgaria before 1894, along with all the rest of the weird and wonderful additions, serve to make Leonard Wolf's The Annotated Dracula the best edition in existence.

Thursday, 1 September 2011

A Vampire Tale

Carmel: A Vampire Tale  


 Seán Manchester

Publisher: Gothic Press (2000)

"We are transported into that fearful realm of supernatural evil peculiar to vampires as the author skillfully restores those near-extinct elements from yestercentury. At the centre is a story painfully real. It is the story of the holder of the name of the book’s title. Is she an actual person? Or merely a novelistic embellishment? Just as the case of the Highgate Vampire inspired much of this sequel to Stoker's Victorian vampire tale, so the person of book title's name inspired the persona of the main character. Based on some real events, the effect of CARMEL as a vampire tale will chill your blood. Here is a terrifying exploration into the nether world of the undead where the reader is found wandering betwixt Victorian tombstones as the original contagion spreads its venom in 20th century England. Do not fret - Transylvania is not forgotten." — Katrina Garforth-Bles (National Secretary, V.R.S.)
“Seán Manchester is the natural writer of any attempt to resume the story of DRACULA.” — Vincent Hillyer (author of Vampires)
“There is but one person who can write the definitive sequel to Stoker’s original masterpiece . . . one person who will imbue it with the same eerie atmosphere and remain true to the tradition . . . that author is Seán Manchester.” — Devendra P Varma (author of The Gothic Flame)
“This vampire tale is a most enchanting read. Seán Manchester’s style, imagination and sensibility makes CARMEL quite a jewel. Stoker has, at last, a literary heir worthy of writing a sequel.” — Sylvaine Charlet (authoress of Lits de Pierres)
“I felt I had to say how much I enjoyed CARMEL - easily the best vampire novel I have read since the original DRACULA. Absolutely enthralling. Tremendous atmosphere and a mounting tension that in my experience has only been equalled by Bram Stoker’s masterpiece. Congratulations! Congratulations!” — Peter Underwood (author of Exorcism! and The Vampire's Bedside Companion)